After Dzama’s “We Love New York,” 2001
What you see flying toward the center is just smallpox ducking—an extinction playing limbo. The aphrodisiac evolves in that one-step of a space that caps its own salary and reduces money to the demolition of history. We don’t let the ashes get wet, as in the indentured fire in the convex lake of the evolutionary. This is a statement, a capella, packed with a multiplicity of shoes. I can see you trying to grow past that octopus. Floating, the kind of thing doers do. We view the surface differently, don’t we? The color of the water throws me off a bit. Look past the earth tones; you’ll see the soul being sipped and inhaled by mothers who sometimes wear the masks of phantom limbs. I have a mask, one that takes itself off after arguing with another mask about the future of an idea shelved high with its own identity. I’d take any of these monsters home as long as one of them has a condom. Less dogs are dieing because of your profile. Look past my eyes. You’ll find an old-fashioned love song and an empty glass that has freed itself from waiting. Is it possible I’ve seen you before before, as in, the lifetime as a canned good. If we were together, we wouldn’t be able to see at night. I certainly hope, though, we’d be able to transfer the next animal face, to the next city and wish for a different kind of happiness to pull out of the nails of childhood.